Idi i smotri Download Full Watch Here For Free Without Signing Up

⇓⇓⇓⇓⇓⇓

DOWNLOAD & WATCH

https://rqzamovies.com/m16653.html?utm_source=quisiera.blogia Putlockers

⇑⇑⇑⇑⇑⇑

 

After finding an old rifle, a young boy joins the Soviet resistance movement against ruthless German forces and experiences the horrors of World War II / casts: Olga Mironova / Scores: 47573 Vote / Duration: 142Min / Director: Elem Klimov / User ratings: 8,7 / 10. Idi i smotri download full site. God bless Belarus. This is totally sick. We watched requiem for a dream in my high school film class and i almost had a breakdown. we skipped the one really intense scene towards the end with the electroshock and the stage orgy, and i'm glad we did. incredible film, though.

- , , . . El estuvo en la ss wiking como tanquista murió en la batalla de berlin al mando de un panther. Why is this rated g lol. YouTube. Idi i smotri Download full. Greatest Nam movie ever... Idi i smotri download full video. Idi i smotri download full episodes. Videos Learn more More Like This Animation, Adventure Fantasy 1 2 3 4 5 6 7 8 9 10 6. 5 / 10 X On a post-apocalyptic Earth, a wizard and his faire folk comrades fight an evil wizard who's using technology in his bid for conquest. Director: Ralph Bakshi Stars: Bob Holt, Jesse Welles, Richard Romanus Drama Sci-Fi 8. 2 / 10 A guide leads two men through an area known as the Zone to find a room that grants wishes. Andrei Tarkovsky Alisa Freyndlikh, Aleksandr Kaydanovskiy, Anatoliy Solonitsyn Comedy Crime 7. 5 / 10 After being released from prison, Billy is set to visit his parents with his wife, whom he does not actually have. This provokes Billy to act out, as he kidnaps a girl and forces her to act as his wife for the visit. Vincent Gallo Vincent Gallo, Christina Ricci, Ben Gazzara A man seeks answers about life, death, and the existence of God as he plays chess against the Grim Reaper during the Black Plague. Ingmar Bergman Max von Sydow, Gunnar Björnstrand, Bengt Ekerot Biography History The life, times and afflictions of the fifteenth-century Russian iconographer St. Andrei Rublev. Anatoliy Solonitsyn, Ivan Lapikov, Nikolay Grinko Action In Medieval Japan, an elderly warlord retires, handing over his empire to his three sons. However, he vastly underestimates how the new-found power will corrupt them and cause them to turn on each him. Akira Kurosawa Tatsuya Nakadai, Akira Terao, Jinpachi Nezu Thriller 8. 1 / 10 In a decrepit South American village, four men are hired to transport an urgent nitroglycerine shipment without the equipment that would make it safe. Henri-Georges Clouzot Yves Montand, Charles Vanel, Peter van Eyck A nurse is put in charge of a mute actress and finds that their personae are melding together. Bibi Andersson, Liv Ullmann, Margaretha Krook An Irish rogue wins the heart of a rich widow and assumes her dead husband's aristocratic position in 18th-century England. Stanley Kubrick Ryan O'Neal, Marisa Berenson, Patrick Magee 8. 7 / 10 When a ronin requesting seppuku at a feudal lord's palace is told of the brutal suicide of another ronin who previously visited, he reveals how their pasts are intertwined - and in doing so challenges the clan's integrity. Masaki Kobayashi Akira Ishihama, Shima Iwashita 8. 3 / 10 A bureaucrat tries to find a meaning in his life after he discovers he has terminal cancer. Takashi Shimura, Nobuo Kaneko, Shin'ichi Himori Mystery The rape of a bride and the murder of her samurai husband are recalled from the perspectives of a bandit, the bride, the samurai's ghost and a woodcutter. Toshirô Mifune, Machiko Kyô, Masayuki Mori Edit Storyline The feature film directed by Elem Klimov, shot in the genre of military drama. The action takes place on the territory of Belarus in 1943. In the center of the story is a Belarusian boy, who witnesses the horrors of the Nazi punitive action, turning from a cheerful teenager into a gray-haired old man for two days. Written by Peter-Patrick76 ( Plot Summary Add Synopsis Details Release Date: 17 October 1985 (Hungary) See more  » Also Known As: Come and See Box Office Cumulative Worldwide Gross: 96, 908 See more on IMDbPro  » Company Credits Technical Specs Runtime: 142 min 105 min (heavily cut) See full technical specs  » Did You Know? Trivia The film's literal English translation from the Russian wording "Idi i smotri" is "Go and look" but the film is more commonly known in English as "Come and See" instead. See more » Goofs Many of the vehicles seen in this film are not the German standard Opel-Blitz truck nor the Kubelwagen car. Instead they are clearly post-World War II Soviet vehicles with slapped-on German Army markings. See more » Connections Referenced in Sardonicast: 1917, Come and See  (2020) See more » Soundtracks Blue Danube Written by Johann Strauss Jr. See more ».

 

Idi i smotri Download full article. Idi i smotri download full. Idi i smotri download full length. Idi i smotri download full hd. Idi i smotri download full game. Idi i smotri download full song. Idi i smotri download full screen. Idi i smotri Download full article on foot. Idi i smotri download full hindi. Yes you're right. Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first. Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages. Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. Don't show me this message again Label: Hyperion Recording details: February 1997 Rosslyn Hill Unitarian Chapel, Hampstead, London, United Kingdom Produced by Oliver Rivers Engineered by Antony Howell & Julian Millard Release date: February 1998 Total duration: 64 minutes 31 seconds The latest research indicates that at least one hundred-and-six lieder, thirteen vocal duets and sixty part-songs by Mendelssohn have survived. Yet even during an age characterized by an apparently insatiable desire for the musically obscure and neglected, these impeccably crafted microcosms are rarely encountered in the concert hall where Schubert, Schumann, Brahms and Wolf (even Liszt by musical association) continue to form the backbone of the Austro-German Romantic lieder tradition. The main reason for this neglect is Mendelssohn's comparatively narrow emotional range. Whereas the aforementioned composers all fearlessly probed the dark side of the human psyche, for the peaceable, broadly contented and self-contained Mendelssohn such concerns simply lay outside his experience. Equally, his songs were above all intended to be sung and enjoyed around the piano at home rather than subjected to public scrutiny. It is hardly Mendelssohn's fault that (with the notable exception of Mozart) commentators generally share an irrational tendency to upgrade the value of music in which laughter emerges only through tears rather than the other way round. Reviews ‘An exceptionally engaging disc (Classic CD) ‘The most attractive programming of the Mendelssohn duets yet devised (Fanfare, USA) Introduction English Français Deutsch Felix Mendelssohn was without doubt the most precociously gifted composer the world has ever known; not even Mozart produced ‘mature masterpieces whilst still in his mid-to-late teens. He composed his masterly String Octet in 1825 when he was still only sixteen, by which time he had also proved himself a double prodigy on the violin and piano, an exceptional athlete (and a particularly strong swimmer) a talented poet (Goethe was a childhood friend and confidant) multi-linguist, watercolorist, and philosopher. He excelled at virtually anything which could hold his attention for long enough, although it was music which above all activated his creative imagination. Although Mendelssohn possessed a talent which was almost inexhaustible in terms of its promise and potential, he nevertheless lacked the inner determination to develop his powers to their full extent. He was a sensitive man who was ultimately destroyed by his constant and caring attempts to counterbalance his extraordinary gifts with the need for a small number of intimate relationships away from the exhausting demands of being an idolized musical celebrity. As he once put it: “The thoughts which are expressed to me by music that I love are not too indefinite to be put into words, but on the contrary, too definite. ” The latest research indicates that at least one hundred-and-six lieder, thirteen vocal duets and sixty part-songs by Mendelssohn have survived. Yet even during an age characterized by an apparently insatiable desire for the musically obscure and neglected, these impeccably crafted microcosms are rarely encountered in the concert hall. Schubert, Schumann, Brahms and Wolf (even Liszt by musical association) continue to form the backbone of the Austro-German Romantic lieder tradition, while Mendelssohn appears to have become increasingly sidelined. The main reason for this gross neglect is Mendelssohns comparatively narrow emotional range. Whereas the aforementioned composers all fearlessly probed the dark side of the human psyche, for the peaceable, broadly contented and self-contained Mendelssohn such concerns simply lay outside his experience and therefore, by extension, his expressive armoury. Equally, his songs were above all intended to be sung and enjoyed around the piano at home rather than subjected to public scrutiny in the concert hall. It is hardly Mendelssohns fault that (with the notable exception of Mozart) commentators generally share an irrational tendency to upgrade the value of music in which laughter emerges only through tears rather than the other way round. Julian Haylock 1998 Other albums in this series.

Idi i smotri download full film

Do you like Thrill rides? Are you the kind of person who enjoys a theme park attraction? Were you blown away by Saving Private Ryan's first 20 minutes? If so, you'll have a larger than life smile attached to your face if you watch Come and See.
This movie about the Nazi occupation of Byelorussian SSR is one of the best war movies that you can find out there. Do you hate war movies? well, this is also a horror story as well, one where you can smell gun powder, blood, burning flesh and mud, lots of mud.
This is one of those films you'll appreciate more if you go and watch it with little or no knowledge about it. The less you know of it the better. I know these kinds of movies are made to give you a more clear sense of what the war was all about and the reasons behind every character involved, but is definitely impossible no to feel angry against the Nazis and how these men brutally killed innocent Byelorussians while they were occupying their lands. If this movie doesn't make you think about how sick the world was (and still is) you're not a normal person.
The direction and the sound design are the best assets of this film. The sound is so layered you feel every single noise, the flies (a leitmotif used several times in the film) the bombs and the guns will make you ask for a rifle and a helmet to protect yourself just in case. All these elements combined creates a unique experience that makes you feel inside the war. Also there's a huge difference between European and US filmmaking. In here, the actors swim through real mud, they used real animals, and sometimes they don't end up well (Hello PETA, they don't care about you. things that are big no no's for Hollywood and that sometimes it can heighten the sense of authenticity in a flick.
The journey of the main character is a sick and twisted one, I can't believe how an adolescent can grow surrounded by guns, death and blood, your eyes won't believe how he changes through the course of the film.
In several parts you'll say to yourself: It's only a movie. It's only movie" but then the director will remind you that sometimes fiction can be just as hard as real life.
Are you still reading? Run and watch this film.

Full metal jacket was once my personal favourite war film, then I saw Come and see and it changed everything! I hope this restoration is worth the wait, and that it is available for everyone to see. Idi i smotri download full album. Idi i smotri Download full article on maxi. English subs. We love your modern culture. 4:14 The moment in which he realizes that all evil arise with a child like his sisters or cousin. Tipically nihilism 1980's. Pure Art. Enter the characters you see below Sorry, we just need to make sure you're not a robot. For best results, please make sure your browser is accepting cookies. Type the characters you see in this image: Try different image Conditions of Use Privacy Policy 1996-2014, Inc. or its affiliates.

Russian actors we're very good at this stuff, compared to us, actors here can't do shit. Idi i smotri download full movies. Not bcs they're gory *first on the list PASSION OF THE CHRIST, BIGGEST TORTURE MOVIE THERE IS AND IT'S LITERALLY THE ENTIRE MOVIE, TORTURE FEST. Thanks for the info in the review. I've seen this extraordinary film and although I did not understand a word, didn't need to, found it so powerful and haunting.

Idi i smotri download full free.

 

Idi i smotri download full episode. Hinweise und Aktionen Entdecken Sie hier reduzierte Filme und Serien auf DVD oder Blu-ray. Produktbeschreibungen Belorussland 1943. Der 14jährige Florian schließt sich gegen den Willen seiner Mutter den Partisanen an. Für ihn ist der Krieg noch ein Spiel. Als die Partisanen in den Kampf ziehen, soll er im Lager bleiben und mit den Alten und Kindern ein Reservelager einrichten. Auch das junge Mädchen Glascha, die Geliebte des Partisanenführers Kosatsch, bleibt zurück. Beide geraten in einen barbarischen Bombenangriff und überleben nur durch ein Wunder. Florian lädt Glascha ein, ihm in sein Dorf zu folgen. Doch dies ist menschenleer. Sie begeben sich in die sicheren Wälder, wo Florian seine Mutter und Schwestern vermutet. Noch ahnt er nicht, dass die Dorfbewohner bei einer Vergeltungsaktion niedergemetzelt wurden. Im Wäldchen treffen sie auf eine Gruppe Überlebender. Florian will der Gruppe helfen. Doch nach einem misslungenen Vorhaben muss er mit ansehen, wie die Bewohner eines Dorfes in die Kirche getrieben und verbrannt werden. Florian gelingt die Flucht, doch die traumatischen Erlebnisse lassen den Jungen innerhalb kürzester Zeit altern...

Idi i smotri Download full review. Idi i smotri download full crack. Track Name: crouka - Wintertraum (feat. Sasi) Fühlt sich die Welt für dich kalt an, Wenn du mit mir durch den Winterwald spazierst? Ja, selbst wenn es schneit, So wärmt mich die Liebe. Fühlt meine Nähe sich kalt an? Kann ich dir zeigen was Ich für dich empfind‘? Dieses Eis auftauen? Gib mir dein Vertrauen. Weißt du noch, wie unser Frühling war? Als all die Blumen blühten, Warn wir so oft draußen. Weißt du noch, wie alles unbeschwert war Und wir lebten nur für uns zwei? Weißt du noch, wir sehr gefreut wir uns doch haben Und gemeinsam uns‘re Zukunft sahen? Nur in deinen Augen fehlt der Funke dieses Glücks Und doch bin ich für dich da. Chorus: Grau zu Weiß! Dieser Schnee vertreibt Dunkelheit Und schafft Zweisamkeit! Die Trübsal treiben wir hinfort Zusammen haben wir die Kraft, Erschaffen uns ‘nen warmen Ort - Was sonst keiner schafft! In dieser eisigen Kälte Halt ich dich fest und versuch dich zu erwärm‘. Du musst nichts vermissen, Ich bleib dir erhalten. Auch wenn der Wind noch so stark ist Und du dir ausmalst, dass du mich bald verlierst Nehm ich deine Hände, Dies ist nicht das Ende. Weißt du noch, wie unser Leben war? So wird es wieder, Denn die Kälte wird vergehen. Nach dem Winter folgt ein neuer Sommer Und bis dahin bin ich doch für dich da. Chorus Weiß ich schon wie unsre Zukunft aussieht? Ja, ich weiß genau, wie unsre Zukunft aussieht! Nur zusammen könn‘ wir in die Zukunft gehen! Meine Hoffnung reicht gar bis in die Ewigkeit! Schau, wie schön es schneit! Ja, der Weg ist nicht mehr weit! Track Name: Escape into Petals (feat. Divinel) Meine Träume von der fernen Welt Zeigen mir, dass mich hier nichts mehr hält. Sehne mich nach unbekanntem Land, Nehme meine Wünsche in die Hand. Meine Reise, sie beginnt, Flieg hinfort, schnell wie der Wind. Richtung Sonne liegt mein Weg, Für den ich alles doch geb! An diesem Ort find ich wohl mein Glück Sag mir, will ich, will ich denn jemals zurück? Meine Sehnsucht... Dort wo die Sonne mir hell erscheint Tausch ich mein Leben gegen Kirschblüten ein Meine Fantasie hat mich erfüllt Und in meine Traumwelt eingehüllt. Komm dem Ziel näher geschwind. Von dem Alltag weit entfernt, Hab zu leben neu gelernt. Track Name: 雄之助 - Cursed Blossom ~Eternal Garden~ feat. Selphius) Uns war bewusst, uns war so klar, So wie die Blüten zerbrechlich wir war‘n Den Abgrund sahst du vor dir, Hast uns beide sanft darüber geführt „Hast du gewusst, war es dir klar, Dass dies mein größtes Geschenk an dich war? Und wieviel Zeit auch verstreicht, Soll‘n die Blumen uns auf ewig verein‘. “ An keinem Ort dieser Welt soll‘n sie vergeh‘n Niemand und nichts wird der Blüten Glanz mir nehm‘ Und jedes Wort klang so rein wie ein Traum in meinen Ohr‘n Blutrote Blumen, in den‘ ich ihn verlor. Ist dir bewusst, ist dir nun klar, Mehr noch als Blüten zerbrechlich wir war‘n? Wir suchten lang, bis sich fand, Welches Wunder aus der Sünde entstand. Nach all der Zeit wurde mir klar, Dass dieses Leid dein Geschenk an mich war. Du warst naiv wie ein Kind Zu viel Neugier hat dein Ende bestimmt. Irgendwann verbannte ich all diese Wut und Angst aus meinem Geist, Vielleicht war das Ziel schon längst erreicht. Doch egal was ich sah, In den 1000 Jahren traf mein Blick nur jenes Blumenmeer. Immerzu trug es deinen Schatten um sich her. An keinem Ort dieser Welt soll‘n sie vergeh‘n, Nichts würde jemals der Blüten Fluch mir nehm‘. Seh‘ ich hinab, liegt im Abgrund die Folge jener Gier. Dein größter Wunsch lebt für alle Zeit in mir! Nichts kann mir meine Erinn‘rung an dich nehm‘. Dein größter Wunsch, unser Traum stirbt hier mit mir! Track Name: Regentanz (feat. Saku & Shisuka) Ich will dir zeigen, wos sich lohnt zu bleiben Ich nehm‘ dich mit in diesen Traum. Ich will beweisen, dass nur diese Reise Reicht, um sich Größeres zu traun. Ich will verstehen, ob meine Vergehen Wirklich mein Leben lang verweiln. Und welche Wehen muss ich überstehen Um dann am Schluss bei dir zu sein? Selbst wenn Regen alles ist, was uns bleibt, bitte ich, gib uns nicht auf. Denn schon in Kürze füllt dein Herz ein gleißendes Licht. Nimm meine Hand, zieh los und lauf! Wenn man nur die dunklen Wolken erblickt, Kann man die Sterne nicht sehn Doch wenn du daran glaubst, erfüllt ein Leuchten nur dich Nein, ich will nie wieder gehn. Diese Gedanken, die sich ewig ranken Sie lassen dich so nicht mehr los. Du kannst dich wandeln, du musst einfach handeln, Doch es ist schwierig, zweifellos. Will nichts behalten, will mich umgestalten Ich bin ganz anders als zuvor. Kannst du mich halten und nichts vorenthalten, Denn uns steht noch sehr viel bevor. Hörst du die Stimme in dir, sie flüstert es dir zu: „Du darfst dich nur nicht verliern! “ Darum reich‘ ich Dir meine Hand und will, dass du mit mir tanzt Durch all die Schauer heut‘ Nacht Glaub mir, Kann man die Sterne nicht sehn. Doch wenn du daran glaubst, erfüllt ein Leuchten nur dich. Lass uns von hier nie wieder gehn! Denkst du, dass die Kälte alles verschlingt? Frierend, nass, zitternd vor Angst - Sieh‘ doch, wie dieser Regen wahre Wunder vollbringt (Und) dass du dasselbe tun kannst. Track Name: Connection (feat. Sasi & Muffin) So düster ist die Welt, ein kleines Licht erhellt Deinen Raum, seh‘ dich kaum Meine Laterne brennt, erscheint für dich ein Weg? Komm zu mir, ich bin hier! Warst du für mich da, bist noch für mich da? Hältst du meine Hand? Ich beschütz dich doch! Hast du eigentlich neben ihr auch mich In dein Herz gebannt? Denn ich brauch dich noch! Ich lass dich nicht geh‘n, kannst du in mich seh‘n, Wie ich mich nur fühl, wenn ich bei dir bin? Nur ein Augenblick in unserem Glück, Will nie mehr zurück! Gib mir einen Sinn! Ist die Zeit für dich auch schwer, Denk nur an mich und fürcht dich niemals mehr! Zusammen stehen wir über den Dunklen Wolken, die am Horizont Diesen Himmel erfüll‘n Auch wenn du noch gar nicht begreifst, Dass die Verbindung in mir weiter reicht - Du kannst mir trauen, dass Ich bei dir bleib, egal was kommen mag. So glaub mir, ich halte dich fest! Nur wir zwei, nur wir zwei Könn‘ aufeinander zähl‘n! Ich und du, du und ich, Halten zusammen! Bin bei dir, komm zu mir, Wir beide sind ein Team! Zusammen bis in die Ewigkeit! So einsam alles scheint, das Licht, das uns vereint, Scheint so hell, scheint so grell. Wir gehen diesen Weg, der für uns beide steht, Folge mir, ich bin hier! REPEAT FROM «Warst du für mich da. ») Track Name: Flowing Mind (feat. Shisuka) Ich spür keine Qual, keine Pein, denn mein Lächeln ist, was siegt! All die Tränen in mir sind getrocknet und versiegt. Ich seh‘ mein Spiegelbild, wie es schreit, ganz einsam und kalt - Doch selbst das ist für mich längst vorbei. Du warst einst bei mir. Jeden Tag, jede Stunde teilten wir. Doch auch du bist nicht mehr, nicht mal das schmerzt mich noch sehr. Nichts ist so, wie es war, bin dem Ozean schon so nah Und mein Schiff, ja, es wartet auf mich. Wie es scheint ist jedermann allein, sollte es nicht anders sein? Liebe ist die Illusion, die die Welt erträglich macht. Ich vergesse dich nicht! Und du - „Vergissmeinnicht“, Denn ich segle hinfort mit dem Wind. Ich vermiss das Glück und den Spaß, von der Zeit, als ich dich traf. Besser wär‘s wenn ich blieb völlig unberührt und fad. Und ich hab‘s doch gewollt; ich bin frei, kann ehrlich nun sein, Denn für dich hab ich mich nur verstellt. Ich will bei dir sein, bin ja dein, doch du kommst nie mehr zurück. Was ich hoff‘, was ich träum‘, ist zu finden neues Glück. Ja, so trinke mit mir, auf dass ich dich endlich vergess Und die Welt in der Flut untergeht Schließlich bin auch ich für mich allein, ist‘s vorbei mit diesem Schein. Tragisch ist die Wirklichkeit, die uns oft verborgen bleibt. Denn mein Schiff, ja, es wartet auf mich. Track Name: Weg der Freiheit (feat. Sasi & Divinel) Tanz, Lass dich fall‘n. Sag, Was du planst. Ich Kann dich hör‘n. Will nicht stör‘n. Wenn ich mit den Träumen spiel‘, Werd ich meine Angst verliern? Du brauchst nur mehr Fantasie, Mit der du dich ins Traumland führ‘n lässt. Ich bin mir ganz sicher, dass Du dich nach viel Wärme sehnst. Komm, ich nehm‘ dich bei der Hand, Ich zeig dir ein vollkomm‘ neues Land. Wirst mich führ‘n, Durch all das jetzt und hier. Greif nach dem Himmel! Lass dich fall‘n, Damit du doch verstehst, Weshalb ich hier bin! Weich - den Ängsten nicht mehr aus. Schrei - es laut hinaus. Dieser Weg vor uns Ist mit Trän‘ bedeckt. Alles, was du siehst, Wird vom Grau versteckt. Doch ich will es seh‘n, Wie das Licht sich bricht. Heller Sonnenschein Dringt ins Dunkel ein. Wenn du mit dem Schicksal spielst, Wirst du deinen Traum verliern. Bin ich die, die du begehrst? Bin‘s ich, die dich im Schatten verführt? Ich versteh, Dein Herz ist kalt wie Eis. Ich kann nicht fliehen. Lass mein Herz In dein Verderbnis fall‘n. Auch wenn‘s mich umbringt. Ich - will nur, dass du es weißt, Schrei - den Schmerz hinaus! Ist mit Leid bedeckt. Alles, was ich fühl, Wird von dir versteckt. Willst du es noch seh‘n, Wie das Licht sich bricht? Bis der Mondenschein Uns im Glanz vereint. Track Name: Neverending Tea Party (feat. Shiki) Ja, du dachtest schon, Ich wär dir wohl verfall‘n? Doch dein Lügenmeer Zeigt dein wahres „Ich“. Jedes falsche Wort Schickt dich in die Hölle. Und dort bleibst du auch, Bis du brennst. Sag mir, wer lacht jetzt? Sind das etwa Tränen Die da dein Gesicht Sanft umrahmen bis Sie zu Boden fall‘n? Fürchtest du um‘s Leben? Hör, was ich dir sag! Wenn deine Welt in Scherben liegt Und deine Einsamkeit bald siegt, Dann werd‘ ich hier sein, an deiner Seite, Und werde auch ein Teil von dir. Wenn du dir wünschst, nicht hier zu sein Und du nach deiner Freiheit greifst, Dann sei nicht traurig, denn du wirst leben Für eine Ewigkeit bei mir. Halt ruhig meine Hand, Lass dich von mir führen Durch das Wunderland, Durch das Paradies. Schau doch nicht so bös. Freust du dich denn gar nicht? Das macht so viel Spaß, So viel Spaß! Sag, was hast du denn? Warum zitterst du so? Bist von Furcht gepackt, Weißt nur nicht wieso? Mach dir keinen Kopf! Lass dich von mir leiten Und denk stets daran: Dein treuer Blick gefällt mir sehr, Doch wie ich seh‘ ist da noch mehr. Komm doch ruhig näher, ich werd nicht beißen, Nur mein Geheimnis dir erzähl‘n. Ich hoffe, du belügst mich nicht? Denn eines weiß ich sicherlich... Bist du dir sicher, dass eines Tages Dir nicht dein Stolz den Nacken bricht? Track Name: Ephemeral Fantasy (feat. Renko & Sasi) After time and time again, the year has come into an end And in a daze, my mind can‘t help but wander back to passing days. Looking forward, looking back. Anticipate, or be surprised. Don‘t go on waiting for a change, embrace yourself and live again. This thing I can‘t describe Is waking up from deep inside This curiosity so strange, it can‘t be satisfied. It starts to eat me up inside Like far-off memories, it seems, like fantasies unseen. Where‘s the light in the night? If found, will I be seen, or is this just a dream? Can it be unveiled from my eyes? I don‘t think I can wait. I‘m reaching out this time. I can‘t be kept in the dark I know that if I try, I might just find the way. And in time, when fully awake, I‘ll understand the dream I once tried to hide. This thing, I realize A curiosity. It‘s strange. It can‘t be satisfied. Can‘t shake it off, it‘s got me like A cherished memory between the dreams that can‘t be seen. Let the light fill the night. The emptiness will fade. In turn, keep going on. Lift the veil away from your eyes. Just let your true desire take you to greater heights. What will it be this time? The new and the unknown, it‘s being redefined Where to go from here, I don‘t care. There‘s bound to be a new world somewhere from inside. Don‘t go waiting on for change, embrace yourself and live again. Track Name: Golden Wings (feat. Apple) Wenn ich nur wüsst, was hier verweilt, Im Stillen Hoff ich, dass du hier bei mir bleibst Wenn ich Den Weg im Dunkel wiederfänd, Dann wüsst ich, Warum dein Herz sich nur versteckt. Doch bleib ich steh‘n Dieser Moment Wird schnell vergeh‘n Und ich versink In meinem Traum, In Einsamkeit, In Dunkelheit, Und doch weiß ich Dass ich Weitergeh‘n muss, Den Weg besteh‘n muss, Sonst wird dein Herz im Sturm verblassen. Wieviel Tränen Muss ich noch bergen, Um dein Lächeln dann zu erblicken? Will ich so weiterhin Dieses Leben Weiter leugnen? Will ich nicht endlich geh‘n Ohne Reue? Ohne Tränen? Will ich nicht weiterhin Meine Träume Weiter träumen? Wann werd ich endlich seh‘n Wie die Sterne Sich mir ebnen? Das Licht, es führt mich Durch Eiseskälte Doch ich verdräng sie, Denn ich will frei sein Was ist, wenn nichts bleibt Am Ende der Nacht? Ich hab nur Angst vor Der Leere in mir So such ich weiter Nach all den Träumen, Nach all den Wünschen Die ich begonn‘ hab Nun flieg ich empor Mit Schwingen aus Gold.

Idi i smotri download full movie. @avto29 This movie is not classic Soviet school. it was unorthodox by Soviet standards. Because it showed collaboration with the Nazis, the suffering of the civilians (most of Soviet propaganda was focused on the heroism of the Red Army) and even has brief references to the Holocaust (which was denied in the USSR, it was simply named the killing of innocent non-combatants.

Damn, the make up in this film is so real.
Idi i smotri download full version.
Idi i smotri download full text.
Borzalmasan hogy az emberek ilyen el állatisodtak voltak, és még élvezték is.
Idi i smotri download full time.

Come and See Russian theatrical release poster Directed by Elem Klimov Screenplay by Elem Klimov Ales Adamovich Story by Ales Adamovich Based on I Am from the Fiery Village by Ales Adamovich Janka Bryl Vladimir Kolesnik Starring Aleksei Kravchenko Olga Mironova Music by O. Yanchenko Cinematography A. Rodionov Edited by V. Belova Production company Mosfilm Belarusfilm Distributed by Sovexportfilm Release date July 1985 ( Moscow) Running time 142 minutes [1] Country Soviet Union [2] Language Belarusian Russian German Come and See ( Russian: , Idi i smotri; Belarusian: І і і і, Idzi i hlyadzi) is a 1985 Belarusian film directed by Elem Klimov filmed in the Soviet Union, with a screenplay written by Klimov and Ales Adamovich based on the 1978 book I Am from the Fiery Village [3] original title: , 4] Ya iz ognennoj Derevni, 1977) by Adamovich et al. 5] The film stars Aleksei Kravchenko and Olga Mironova. [6] Come and See is generally viewed as one of the most important anti-war movies ever made, and one of the great World War II movies, with the most historically accurate depictions of the crimes on the Eastern Front. The film focuses upon the Nazi German occupation of Belarus, and primarily upon the events witnessed by a young Belarusian partisan teenager named Flyora, who—against his parents' wishes—joins the Belarusian resistance movement, and thereafter depicts the Nazi atrocities and human suffering inflicted upon the Eastern European villages' populace. The film mixes hyper-realism with an underlying surrealism, and philosophical existentialism with poetical, psychological, political and apocalyptic themes. Come and See had to fight eight years of censorship from the Soviet authorities before the film was finally allowed to be produced in its entirety to commemorate the 40th anniversary of the Soviet victory in World War II, and was a major box-office hit, with 28, 900, 000 admissions in the Soviet Union alone. The film was selected as the Soviet entry for the Best Foreign Language Film at the 58th Academy Awards, but was not accepted as a nominee. [7] Title [ edit] The original Belarusian title of the film derives from Chapter 6 of The Apocalypse of John, where in the first, third, fifth, and seventh verse is written "і і і і" 8] English: Come and see" Greek: Ἐρχου καὶ ἴδε, Erchou kai ide) 9] as an invitation to look upon the destruction caused by the Four Horsemen of the Apocalypse. [10] 11] Chapter 6, verses 7–8 have been cited as being particularly relevant to the film: And when he had opened the fourth seal, I heard the voice of the fourth beast say, Come and see! And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him. And power was given unto them over the fourth part of the earth, to kill with sword, and with hunger, and with death, and with the beasts of the earth. Plot [ edit] In 1943, two Byelorussian boys dig in a sand-filled trench looking for abandoned rifles in order to join the Soviet partisan forces. Their village elder warns them not to dig up the weapons as it will arouse the suspicions of the Germans. One of the boys, Flyora, finds an SVT-40 rifle, though the both of them are seen by an Fw 189 flying overhead. The next day, partisans arrive at Flyora's house to conscript him. Flyora becomes a low-rank militiaman and is ordered to perform menial tasks. When the partisans are ready to move on, an old partisan says that he wants to stay behind because his boots are falling apart. The partisan commander, Kosach, orders the old man to swap boots with Flyora and for Flyora to remain behind at the camp. Bitterly disappointed, Flyora walks into the forest weeping and meets Glasha, a young girl working as a nurse in the camp, and the two bond before the camp is suddenly attacked by German paratroopers and dive bombers. Flyora is partially deafened from explosions before the two hide in the forest to avoid the German soldiers. Flyora and Glasha travel to his village, only to find his home deserted and covered in flies. Denying that his family is dead, Flyora believes that they are hiding on a nearby island across a bog. As they run from the village in the direction of the bogland, Glasha glances across her shoulder, seeing a pile of executed villagers' bodies stacked behind a house, but does not alert Flyora. The two become hysterical after wading through the bog, where Glasha then screams at Flyora that his family are actually dead in the village. They are soon met by Roubej, a partisan fighter, who takes them to a large group of villagers who have fled the Germans. Flyora sees the village elder, badly burnt by the Germans, who tells him that he witnessed his family's execution and that he should not have dug up the rifles. Flyora accepts that his family is dead and blames himself for the tragedy. Roubej takes Flyora and two other men to find food at a nearby warehouse, only to find it being guarded by German troops. During their retreat, the group unknowingly wanders through a minefield resulting in the deaths of the two companions. That evening Roubej and Flyora sneak up to an occupied village and manage to steal a cow from a collaborating farmer. However, as they escape across an open field, Roubej and the cow are shot and killed by a German machine gun. The next morning, Flyora attempts to steal a horse and cart but the owner catches him and instead of doing him harm, he helps hide Flyora's identity when SS troops approach. Flyora is taken to the village of Perekhody, where they hurriedly discuss a fake identity for him, while the SS unit (based on the Dirlewanger Brigade) accompanied by Ukrainian collaborators surround and occupy the village. Flyora tries to warn the townsfolk they are being herded to their deaths, but is forced to join them inside a church. Flyora and a young woman bearing a strong resemblance to Glasha manage to escape; the young woman is dragged by her hair across the ground and into a truck to be gang raped, while Flyora is forced to watch as grenades are thrown into the church before it is set ablaze and shot. A German officer points a gun to Flyora's head to pose for a picture before leaving him to slump to the ground as the soldiers leave. Flyora later wanders out of the scorched village in the direction of the Germans, where he discovers they had been ambushed by the partisans. After recovering his jacket and rifle, Flyora comes across the young woman who had also escaped the church in a fugue state and covered in blood after having been gang-raped and brutalized. Flyora returns to the village and finds that his fellow partisans have captured eleven of the Germans and their collaborators, including the commander, an SS-Sturmbannführer. While some of the captured men including the commander plead for their lives and deflect blame, a young fanatical officer bluntly tells the captors that their people have no right to exist and they will carry out their mission. Kosach then forces most of the collaborators to douse the Germans with a can of petrol but the disgusted crowd shoots them all before they can be set on fire. As the partisans leave, Flyora notices a framed portrait of Adolf Hitler in a puddle and proceeds to shoot it numerous times. As he does so, a montage of clips from Hitler's life play in reverse, but when Hitler is shown as a baby on his mother 's lap, Flyora stops shooting and cries. “ We are obliged to exterminate the population—this is part of our mission to protect the German population. I have the right to destroy millions of people of a lower race who breed like worms. ” —  Adolf Hitler, 1941 [12] In the final scene, a partisan officer calls out to a low-ranking recruit. Flyora turns, but an obedient youth nearby rushes past him, and Flyora realizes he is now a full partisan. He then catches up and blends in with his comrades, marching through the woods as snow blankets the ground. As they disappear into the birch forest, a title informs: 628 Belorussian villages were destroyed, along with all their inhabitants. 13] Cast [ edit] Aleksey Kravchenko as Flyora Olga Mironova as Glasha/Glafira Liubomiras Laucevičius as Kosach (voiced by Valeriy Kravchenko) Vladas Bagdonas as Roubej Jüri Lumiste as young German officer Evgeniy Tilicheev as Ukrainian collaborator and translator Viktor Lorents as the German commander Production and release [ edit] Klimov co-wrote the screenplay with Ales Adamovich, who fought with the Belarusian partisans as a teenager. According to the director's recollections, work on the film began in 1977: The 40th anniversary of the Great Victory was approaching. [3] 14] 15] The management had to be given something topical. I had been reading and rereading the book I Am from the Fiery Village, which consisted of the first-hand accounts of people who miraculously survived the horrors of the fascist genocide in Belorussia. Many of them were still alive then, and Belorussians managed to record some of their memories onto film. I will never forget the face and eyes of one peasant, and his quiet recollection about how his whole village had been herded into a church, and how just before they were about to be burned, an officer gave them the offer: Whoever has no children can leave. And he couldn't take it, he left, and left behind his wife and little kids. or about how another village was burned: the adults were all herded into a barn, but the children were left behind. And later, the drunk men surrounded them with sheepdogs and let the dogs tear the children to pieces. And then I thought: the world doesn't know about Khatyn! They know about Katyn, about the massacre of the Polish officers there. But they don't know about Belorussia. Even though more than 600 villages were burned there! And I decided to make a film about this tragedy. I perfectly understood that the film would end up a harsh one. I decided that the central role of the village lad Flyora would not be played by a professional actor, who upon immersion into a difficult role could have protected himself psychologically with his accumulated acting experience, technique and skill. I wanted to find a simple boy fourteen years of age. We had to prepare him for the most difficult experiences, then capture them on film. And at the same time, we had to protect him from the stresses so that he wasn't left in the loony bin after filming was over, but was returned to his mother alive and healthy. Fortunately, with Aleksey Kravchenko, who played Flyora and who later became a good actor, everything went smoothly. I understood that this would be a very brutal film and that it was unlikely that people would be able to watch it. I told this to my screenplay coauthor, the writer Ales Adamovich. But he replied: Let them not watch it, then. This is something we must leave after us. As evidence of war, and as a plea for peace. " —  Elem Klimov Come and See was shot only on Belarusian soil. The events with the people, the peasants, actually happened as shown in the film. [It] doesn't have any professional actors. Even the language spoken in the film is Belarusian. What was important was that all the events depicted in the film really did happen in Belarus. [17] For eight years, 14] filming could not begin because the State Committee for Cinematography (Goskino) would not accept the screenplay, considering it too realistic, calling it propaganda for the "aesthetics of dirtiness" and "naturalism. 16] Eventually in 1984, Klimov was able to start filming without having compromised to any censorship at all. The only change became the name of the film itself, which was changed to Come and See from the original title, Kill Hitler [18] Elem Klimov also says this in the 2006 UK DVD release. 19] The film was shot in chronological order over a period of nine months. [18] Aleksey Kravchenko said that he underwent "the most debilitating fatigue and hunger. I kept a most severe diet, and after the filming was over I returned to school not only thin, but grey-haired. 20] 18] To prepare the 13-year-old Kravchenko for the role, Klimov called a hypnotist. I realized I had to inject him with content which he did not possess, Mr. Klimov said. This is an age when a boy does not know what true hatred is, what true love is. In the end, Mr. Kravchenko was able to concentrate so intensely that it seemed as if he had hypnotized himself for the role. 21] 18] To create the maximum sense of immediacy, realism, hyperrealism, and surrealism operate in equal measure. [22] Klimov and his cameraman Rodionov employed naturalistic colours, widescreen and lots of Steadicam shots; the film is full of extreme close-ups of faces, does not flinch from the unpleasant details of burnt flesh and bloodied corpses, and the guns were often loaded with live ammunition as opposed to blanks. [3] 18] 23] 24] Aleksey Kravchenko mentioned in interviews that bullets sometimes passed just 4 inches (10 centimeters) above his head [18] such as in the cow scene. 3] At the same time "the mise-en-scène is fragmentary and disjointed: there are discontinuities between shots as characters appear in close up and then disappear off camera. Klimov employs a range of techniques that draws attention to the camera. The extreme close-ups of actors staring into camera is a recurring motif. Elsewhere. the moment of revelation is marked by a disorienting zoom-in/dolly-out shot. 3] The film was released on 17 October 1985, 6] drawing 28. 9 million viewers [18] 25] and ranking sixth at the box office of 1986. [25] In 2017, the film received an official restoration which won the Venice classics award for Best restored film, and was also shown in several European independent cinemas again. [26] 27] 28] In the United States, Kino Lorber released the film on DVD in 2001. It is currently out-of-print. As of September 2019, the film became available on the streaming service for the Criterion Collection, the Criterion Channel. On December 18, 2019, Janus Films released a trailer for an upcoming 2k-restoration thats expected to premiere in February of 2020 with a theatrical run and then, possibly, a restored home media release through Criterion. [29] 30] 31] Music [ edit] The original soundtrack is rhythmically amorphous music composed by Oleg Yanchenko. At a few key points in the film classical music from mainly German or Austrian composers are used, such as Johann Strauss Jr. 's Blue Danube, sometimes mixed in with Yanchenko's music. The Soviet marching song The Sacred War, Russian folk song Korobeiniki and German folk song Im Wald im grünen Walde are played in the movie once. The German military march "Old Comrades " is played as the German army begins its attack on the village. During the scene where Glasha dances, the background music is taken from Grigori Aleksandrov 's 1936 film Circus. At the end, during the montage, music by Richard Wagner is used, most notably the Tannhäuser Overture and the Ride from Die Walküre. At the conclusion of the film the Lacrimosa from Mozart 's Requiem is played. Themes [ edit] It has often been noted how the film mixes a ruthless "hyper-realistic" take on the Holocaust during Operation Barbarossa, while at the same time hinting an underlying surrealist atmosphere without being "unreal. 32] 33] 34] 35] 36] 37] The image of Hitler shown in the film as a baby sitting on the maternal knees has no historical foundation. It is a photomontage devised by Klimov between this picture of infant Hitler and that of his mother A Focke-Wulf Fw 189, the aircraft that Klimov makes fly high above the protagonists' head The film mixes themes about philosophical existentialism, spiritual degradation, the human mind, etc, under Nazi carnage, extreme trauma, and also the politics behind the Nazi-German warfare, —with often poetic, classical apocalyptic themes, influences and "twilight state-like" or nightmarish, psychological dialogues. [38] 39] 40] 41] 42] 43] The film has been praised for how it shows one of human history's worst crimes with an honest and genuine take, rather than the more common, sentimental "Hollywood take" on the subject. The film's settings is often in vast, deep Belorussian forests and swamps. The nature (with both the hostility and fear and the peacefulness and beauty that can be found in it) plays a big role in the movie's symbolism and atmosphere. Politically it deals with the people's suffering under the Nazi invasion, and the essence and depth of the people's (both collective and individual) trauma, and also honoring the defense of the Slavic nations by partisans. As an anti-fascist and anti-war movie it brings up the ideological driving-forces behind the war on (and Holocaust in) Eastern Europe; i. e the Nazis' racial ideological hatred for so-called " Judeo-Bolshevism " as one of the main motives behind their genocides against Jews and Slavs. Come and See has been praised for the way it shows the Nazis on the Eastern Front as genocidal as they historically documented were, and for how it brings out the genuine sense of terror that people in reality felt with the mere presence of those forces. It shows their systematic calculated killings and their discretionary sadism. Klimov is said to make the viewer understand, and sense, what Fascism brought, in a metaphor of a "black plague" in similar style to the partisan song "The Sacred War" and it's lyrics' description of it (i. e "the fascist hordes' black wings" and similar writings) which is also featured in the film. The movie is generally viewed as one of the most important anti-war movies ever made, one of the great movies in history and one with the most historically accurate depictions of the crimes on the Eastern Front, and in general one of the most important Holocaust movies. [44] 45] 46] 47] 48] 49] Reception [ edit] Initial reception was positive. Walter Goodman wrote for The New York Times that "The history is harrowing and the presentation is graphic. Powerful material, powerfully rendered. and dismissed the ending as "a dose of instant inspirationalism. but conceded to Klimov's "unquestionable talent. 50] Rita Kempley of the Washington Post wrote that "directing with an angry eloquence, Klimov] taps into that hallucinatory nether world of blood and mud and escalating madness that Francis Ford Coppola found in Apocalypse Now. And though he draws a surprisingly vivid performance from his inexperienced teen lead, Klimov's prowess is his visual poetry, muscular and animistic, like compatriot Andrei Konchalovsky 's in his epic Siberiade. 51] Mark Le Fanu wrote in Sight & Sound 03/01/1987 that Come and See is a "powerful war film. The director has elicited an excellent performance from his central actor Kravchenko. 52] 53] 54] 55] 56] 57] According to Klimov, the film was so shocking for audiences, however, that ambulances were sometimes called in to take away particularly impressionable viewers, both in the Soviet Union and abroad. [14] 19] Also according to Klimov, during one of the after-the-film discussions, an elderly German stood up and said: I was a soldier of the Wehrmacht; moreover, an officer of the Wehrmacht. I traveled through all of Poland and Belarus, finally reaching Ukraine. I will testify: everything that is told in this film is the truth. And the most frightening and shameful thing for me is that this film will be seen by my children and grandchildren. 58] The film has since been widely acclaimed in the 21st century. In 2001, Daneet Steffens of Entertainment Weekly wrote that "Klimov alternates the horrors of war with occasional fairy tale-like images; together they imbue the film with an unapologetically disturbing quality that persists long after the credits roll. 59] In 2001, J. Hoberman of The Village Voice reviewed Come and See, writing the following: Directed for baroque intensity, Come and See is a robust art film with aspirations to the visionary – not so much graphic as leisurely literal-minded in its representation of mass murder. (The movie has been compared both to Schindler's List and Saving Private Ryan, and it would not be surprising to learn that Steven Spielberg had screened it before making either of these. The film's central atrocity is a barbaric circus of blaring music and barking dogs in which a squadron of drunken German soldiers round up and parade the peasants to their fiery doom. The bit of actual death-camp corpse footage that Klimov uses is doubly disturbing in that it retrospectively diminishes the care with which he orchestrates the town's destruction. For the most part, he prefers to show the Gorgon as reflected in Perseus 's shield. There are few images more indelible than the sight of young Alexei Kravchenko's fear-petrified expression. 60] In the same publication in 2009, Elliott Stein described Come and See as "a startling mixture of lyrical poeticism and expressionist nightmare. 61] In 2002, Scott Tobias of The A. V. Club wrote that Klimov's "impressions are unforgettable: the screaming cacophony of a bombing run broken up by the faint sound of a Mozart fugue, a dark, arid field suddenly lit up by eerily beautiful orange flares, German troops appearing like ghosts out of the heavy morning fog. A product of the glasnost era, Come and See is far from a patriotic memorial of Russia's hard-won victory. Instead, it's a chilling reminder of that victory's terrible costs. 62] British magazine The Word wrote that " Come and See is widely regarded as the finest war film ever made, though possibly not by Great Escape fans. 63] Tim Lott wrote in 2009 that the film "makes Apocalypse Now look lightweight. 64] In 2006, Geoffrey Macnab of Sight & Sound opined, Klimov's astonishing war movie combines intense lyricism with the kind of violent bloodletting that would make even Sam Peckinpah pause. 3. failed verification] On 16 June 2010, Roger Ebert posted a review of Come and See as part of his "Great Movies" series, describing it as "one of the most devastating films ever about anything, and in it, the survivors must envy the dead. The film depicts brutality and is occasionally very realistic, but there's an overlay of muted nightmarish exaggeration. I must not describe the famous sequence at the end. It must unfold as a surprise for you. It pretends to roll back history. You will see how. It is unutterably depressing, because history can never undo itself, and is with us forever. 65] Come and See appears on many lists of films considered the best. In 2008, Come and See was placed at number 60 on Empire magazine's "The 500 Greatest Movies of All Time" in 2008. [66] It also made Channel 4's list of 50 Films to See Before You Die [67] and was ranked number 24 in Empire magazine's "The 100 Best Films Of World Cinema" in 2010. [68] Phil de Semlyen of Empire has described the work as "Elim Klimovs seriously influential, deeply unsettling Belarusian opus. No film – not Apocalypse Now, not Full Metal Jacket – spells out the dehumanising impact of conflict more vividly, or ferociously. An impressionist masterpiece and possibly the worst date movie ever. 69] It ranked 154 among critics, and 30 among directors, in the 2012 Sight & Sound polls of the greatest films ever made. [70] Rotten Tomatoes reported a 96% approval critic response based on 23 reviews. [6] Klimov did not make any more films after Come and See, 71] leading some critics to speculate as to why. In 2001, Klimov said "I lost interest in making films. Everything that was possible I felt I had already done. 21] Accolades [ edit] Awards Award Date of ceremony Category Recipients and nominees Result 14th Moscow International Film Festival [72] 12 July 1985 Golden Prize Elem Klimov [3] 15] 6] 25] Won FIPRESCI prize See also [ edit] List of submissions to the 58th Academy Awards for Best Foreign Language Film List of Soviet submissions for the Academy Award for Best Foreign Language Film References [ edit. Come and See (15. British Board of Film Classification. 16 December 1986. Retrieved 29 May 2013... IDI I SMOTRI (1985. British Film Institute. Retrieved 5 December 2018. ^ a b c d e f g Chapman, James (2008. Chapter 2 war as tragedy (pp. 103ff. War and Film. Islington: Reaktion Books. ISBN   978-1-86189347-5. ^ , [ Adamovich, Ales] , [Visor, Vanya] , [Kalesnik, Uladimir Andreevich] 1977. . I Am from the Fiery Village. in Belarusian. Minsk: - [Art lit-ra. ^ Rein, Leonid (2011. The Kings and the Pawns. Collaboration in Byelorussia during World War II. New York City: Berghahn Books. ISBN   978-0-85745043-2. The stories of survivors from the burned villages were collected in the 1970s by three Byelorussian writers, Ales' Adamovich, Janka Bryl' and Vladimir Kolesnik and published as a book in Russian and Byelorussian under the title Ya iz ognennoj Derevni. I am from the fiery village. See Adamovich et al., Ya iz ognennoj Derevni. Minsk, 1977. p. 321. ^ a b c d " Come and See (Idi i smotri) 1985. Rotten Tomatoes. Fandango. Retrieved 16 May 2019. ^ Margaret Herrick Library, Academy of Motion Picture Arts and Sciences. ^ і і , , і ў і 6. Read Bible online" The Bible, Revelation, Chapter 6] in Belarusian. Retrieved 30 April 2019. ^ Garland, Anthony Charles (2007. A Testimony of Jesus Christ - Volume 1. A Commentary on the Book of Revelation. 2007. p.  325. ISBN   978-0-978-88641-7. ^ Wise, Damon (28 October 2013. Top 10 war movies. 5. Come and See. The Guardian. London. Retrieved 4 July 2016. ^ The same biblical quote is at the center of the film Horsemen (2009... . , " Khatyn - Genocide policy, The genocide of the Belarusian people. in Belarusian. Khatyn memorial. 2005. Retrieved 6 June 2019. ^ Youngblood, Denise Jeanne (2007. Russian War Films. On the Cinema Front, 1914-2005. Lawrence, Kansas: University Press of Kansas. p.  197. ISBN   978-0-70061489-9. ^ a b c Dunne, Nathan (18 July 2016. Atrocity exhibition: is Come and See Russia's greatest ever war film. The Calvert Journal. Retrieved 20 July 2019. ^ a b Noah, Will (10 January 2018. Elem Klimov's Boundary-Pushing Satires. The Criterion Collection. Retrieved 11 November 2018. ^ a b [Marina Murzina] 20 October 2010. : [ Come and See: shooting turned for Elem Klimov in the fight against censorship. [Arguments and Facts] in Russian) 42. Retrieved 30 August 2016. ^ Holloway, Ron (1986. Interview with Elem Klimov. Kinema. Retrieved 11 November 2018. ^ a b c d e f g Niemi, Robert (2018. Come and See [Russian: Idi i smotri] 1985) pp. 61-63. 100 Great War Movies. The Real History Behind the Films. Santa Barbara, California: ABC-CLIO. ISBN   978-1-440-83386-1. ^ a b "Elem Klimov about Come and see. interview with English subtitles. Retrieved 30 May 2013. ^ [Vera Maevskaia] 20 July 2004. : " " , " Aleksey Kravchenko: From the making of Klimov's film Come and See I returned not only terribly skinny, but also grizzled. [Boulevard] in Russian) 29. Retrieved 31 March 2018. ^ a b Ramsey, Nancy (28 January 2001. FILM; They Prized Social, Not Socialist, Reality. The New York Times. Retrieved 5 May 2019. ^ Menashe, Louis (2014. 2010. Moscow Believes in Tears. Russians and Their Movies. Washington, D. C. New Academia Publishing, LLC. pp.  95 - 96. ISBN   978-0-984-58322-5. ^ Stilwell, Blake (26 April 2017. This Soviet WWII movie used real bullets instead of blanks. Retrieved 31 March 2018. ^ Gault, Matthew (28 May 2016. Come and See' Turns the Eastern Front Into a Hallucinatory Hellscape. Retrieved 31 March 2018. ^ a b c Youngblood, Denise Jeanne (2007. ISBN   978-0-700-61489-9. ^ Venice Classics Award for Best Restored Film - Premio Venezia Classici per il Miglior Film Restaurato: IDI I SMOTRI (1985) by Elem Klimov ^ The Legacy of the Siege of Leningrad, 1941–1995. Kirschenbaum. ^ 100 Great War Movies: The Real History Behind the Films. Robert Niemi. ABC-CLIO, 2018. ^ Cinepaternity: Fathers and Sons in Soviet and Post-Soviet Film. Helena Goscilo, Yana Hashamova. Indiana University Press, 2010. ^ Goodman, Walter (6 February 1987. Film: Come and See' from Soviet. Retrieved 30 May 2013. ^ Kempley, Rita (25 September 1987. Come and See review. The Washington Post. Retrieved 7 January 2017. ^ 6 Non-Traditional Horror Films to watch this Halloween, by Jordon Jefferies October 29, 2015, The State Of The Arts ^ Steffens, Daneet (2 November 2001. Come and See. Entertainment Weekly. Retrieved 20 January 2017. ^ Hoberman, J. (30 January 2001. High Lonesome. The Village Voice. New York City. Retrieved 25 February 2014. ^ Stein, Elliott (18 August 2009. Retrieved 25 February 2014. ^ Tobias, Scott (19 April 2002. Come And See. The A. Club. Chicago: Onion, Inc. Retrieved 25 February 2014. ^ The Word (41. July 2006. p. 122. ^ Lott, Tim (24 July 2009. The worst best films ever made. Retrieved 25 February 2014. ^ Ebert, Roger (16 June 2010. Come and See. Retrieved 25 February 2014. Yet in the biblical context chosen by Klimov for his movie, always in Chapter 6 of the Apocalypse, verse 14 states: the sky receded as a scroll when it is rolled up. 6:14. Isaiah 34:4. ^ The 500 Greatest Movies of All Time. Empire. November 2008. Retrieved 1 November 2013. ^ Film4's 50 Films To See Before You Die. Channel 4. 22 July 2006. ^ The 100 Best Films Of World Cinema. 2010. ^ Become A War Films Expert In Ten Easy Movies. ^ Votes for IDI I SMOTRI (1985. Sight & Sound. Retrieved 20 January 2017. ^ Bergan, Ronald (4 November 2003. Obituary: Elem Klimov. Retrieved 8 June 2009. ^ 14th Moscow International Film Festival (1985. MIFF. Archived from the original on 16 March 2013. Retrieved 9 February 2013. Further reading [ edit] Michaels, Lloyd (2008. Come and See (1985) Klimov's Intimate Epic. Quarterly Review of Film and Video. 25 (3) 212–218. doi: 10. 1080/10509200601091458. External links [ edit.

Idi i smotri download full version. Best film Ever made. Idi i smotri download full download. Beschreibung Belorussland 1943. Der 14jährige Florian schließt sich gegen den Willen seiner Mutter den Partisanen an. Für ihn ist der Krieg noch ein Spiel. Als die Partisanen in den Kampf ziehen, soll er im Lager bleiben und mit den Alten und Kindern ein Reservelager einrichten. Auch das junge Mädchen Glascha, die Geliebte des Partisanenführers Kosatsch, bleibt zurück. Beide geraten in einen barbarischen Bombenangriff und überleben nur durch ein Wunder. Florian lädt Glascha ein, ihm in sein Dorf zu folgen. Doch dies ist menschenleer. Sie begeben sich in die sicheren Wälder, wo Florian seine Mutter und Schwestern vermutet. Noch ahnt er nicht, dass die Dorfbewohner bei einer Vergeltungsaktion niedergemetzelt wurden. Im Wäldchen treffen sie auf eine Gruppe Überlebender. Florian will der Gruppe helfen. Doch nach einem misslungenen Vorhaben muss er mit ansehen, wie die Bewohner eines Dorfes in die Kirche getrieben und verbrannt werden. Florian gelingt die Flucht, doch die traumatischen Erlebnisse lassen den Jungen innerhalb kürzester Zeit altern...

Plot: The feature film directed by Elem Klimov, shot in the genre of military drama. The action takes place on the territory of Belarus in 1943. In the center of the story is a Belarusian boy, who witnesses the horrors of the Nazi punitive action, turning from a cheerful teenager into a gray-haired old man for two days. Also Known As: Komm und sieh' West, Va' e vedi, Go and Look, Honoo 628, Kom en zie, Idz i patrz, Idi i smotri, Vino si vezi, Soviet, Go and See, , Ga en kijk, , Venga y vea, Idi i gledaj, Viens et vois, Requiem pour un massacre, Va et regarde, Geh und sieh East, Tule ja katso, Jdi a divej se, Ela na deis, Vem e Vê, Komm und sieh' Ubit Gitlera Soviet, Jöjj és lásd! Idi i smotri Soviet, Έλα να δεις, I i , Masacre, Du-te si vezi, Ven y mira, Pojdi in glej, Gel ve gör, Vá e Veja, Gå och se. Masacre: Ven y mira, Jdi a dívej se Czech, Eik ir žiurek, Kom og se, Come and See.

I was so excited last month to learn that this was being remastered. And then i wondered whether i could bear to watch it again. Hands down, the greatest film about war ever made. (Of course, like the rest of you, i will watch it again... The ad I got for this video was the trailer for “Danger Close: the battle of long tan”, I just saw this war film and its incredible, definitely recommend it.

10 movies too upset to rewatch Recommend: WATCH THE GREEN MILE NOW. - , , . . . Cantatas, BWV 1–10 BWV 1: Wie schön leuchtet der Morgenstern BWV 2: Ach Gott, vom Himmel sieh darein BWV 3: Ach Gott, wie manches Herzeleid BWV 4: Christ lag in Todes Banden BWV 5: Wo soll ich fliehen hin BWV 6: Bleib bei uns, denn es will Abend werden BWV 7: Christ unser Herr zum Jordan kam BWV 8: Liebster Gott, wenn werd ich sterben? BWV 9: Es ist das Heil uns kommen her BWV 10: Meine Seel erhebt den Herren Cantatas, BWV 11–20 BWV 11: Lobet Gott in seinen Reichen (Ascension Oratorio) BWV 12: Weinen, Klagen, Sorgen, Zagen BWV 13: Meine Seufzer, meine Tränen BWV 14: Wär Gott nicht mit uns diese Zeit BWV 15: Denn du wirst meine Seele nicht in der Hölle lassen (by Johann Ludwig Bach) BWV 16: Herr Gott, dich loben wir BWV 17: Wer Dank opfert, der preiset mich BWV 18: Gleichwie der Regen und Schnee vom Himmel fällt BWV 19: Es erhub sich ein Streit BWV 20: O Ewigkeit, du Donnerwort Cantatas, BWV 21–30 BWV 21: Ich hatte viel Bekümmernis BWV 22: Jesus nahm zu sich die Zwölfe BWV 23: Du wahrer Gott und Davids Sohn BWV 24: Ein ungefärbt Gemüte BWV 25: Es ist nichts Gesundes an meinem Leibe BWV 26: Ach wie flüchtig, ach wie nichtig BWV 27: Wer weiß, wie nahe mir mein Ende BWV 28: Gottlob! nun geht das Jahr zu Ende BWV 29: Wir danken dir, Gott, wir danken dir BWV 30: Freue dich, erlöste Schaar BWV 30a: Angenehmes Wiederau Cantatas, BWV 31–40 BWV 31: Der Himmel lacht! die Erde jubiliert BWV 32: Liebster Jesu, mein Verlangen BWV 33: Allein zu dir, Herr Jesu Christ BWV 34: O ewiges Feuer, o Ursprung der Liebe BWV 34a: O ewiges Feuer, o Ursprung der Liebe BWV 35: Geist und Seele wird verwirret BWV 36: Schwingt freudig euch empor BWV 36a: Steigt freudig in die Luft BWV 36b: Die Freude reget sich BWV 36c: Schwingt freudig euch empor BWV 37: Wer da gläubet und getauft wird BWV 38: Aus tiefer Not schrei ich zu dir BWV 39: Brich dem Hungrigen dein Brot BWV 40: Dazu ist erschienen der Sohn Gottes Cantatas, BWV 41–50 BWV 41: Jesu, nun sei gepreiset BWV 42: Am Abend aber desselbigen Sabbats BWV 43: Gott fähret auf mit Jauchzen BWV 44: Sie werden euch in den Bann tun BWV 45: Es ist dir gesagt, Mensch, was gut ist BWV 46: Schauet doch und sehet BWV 47: Wer sich selbst erhöhet, der soll erniedriget werden BWV 48: Ich elender Mensch, wer wird mich erlösen BWV 49: Ich geh' und suche mit Verlangen BWV 50: Nun ist das Heil und die Kraft Cantatas, BWV 51–60 BWV 51: Jauchzet Gott in allen Landen BWV 52: Falsche Welt, dir trau ich nicht BWV 53: Schlage doch, gewünschte Stunde (by Melchior Hoffmann? BWV 54: Widerstehe doch der Sünde BWV 55: Ich armer Mensch, ich Sündenknecht BWV 56: Ich will den Kreuzstab gerne tragen BWV 57: Selig ist der Mann BWV 58: Ach Gott, wie manches Herzeleid BWV 59: Wer mich liebet, der wird mein Wort halten BWV 60: O Ewigkeit, du Donnerwort Cantatas, BWV 61–70 BWV 61: Nun komm, der Heiden Heiland BWV 62: Nun komm, der Heiden Heiland BWV 63: Christen, ätzet diesen Tag BWV 64: Sehet, welch eine Liebe BWV 65: Sie werden aus Saba alle kommen BWV 66: Erfreut euch, ihr Herzen BWV 66a: Der Himmel dacht auf Anhalts Ruhm und Glück BWV 67: Halt im Gedächtnis Jesum Christ BWV 68: Also hat Gott die Welt geliebt BWV 69: Lobe den Herrn, meine Seele BWV 69a: Lobe den Herrn, meine Seele BWV 70: Wachet! betet! betet! wachet! BWV 70a: Wachet, betet, seid bereit allezeit! Cantatas, BWV 71–80 BWV 71: Gott ist mein König BWV 72: Alles nur nach Gottes Willen BWV 73: Herr, wie du willt, so schick's mit mir BWV 74: Wer mich liebet, der wird mein Wort halten BWV 75: Die Elenden sollen essen BWV 76: Die Himmel erzählen die Ehre Gottes BWV 77: Du sollt Gott, deinen Herren, lieben BWV 78: Jesu, der du meine Seele BWV 79: Gott der Herr ist Sonn und Schild BWV 80: Ein feste Burg ist unser Gott BWV 80a: Alles, was von Gott geboren BWV 80b: Ein feste Burg ist unser Gott Cantatas, BWV 81–90 BWV 81: Jesus schläft, was soll ich hoffen? BWV 82: Ich habe genug BWV 83: Erfreute Zeit im neuen Bunde BWV 84: Ich bin vergnügt mit meinem Glücke BWV 85: Ich bin ein guter Hirt BWV 86: Wahrlich, wahrlich, ich sage euch BWV 87: Bisher habt ihr nichts gebeten in meinem Namen BWV 88: Siehe, ich will viel Fischer aussenden BWV 89: Was soll ich aus dir machen, Ephraim BWV 90: Es reißet euch ein schrecklich Ende Cantatas, BWV 91–100 BWV 91: Gelobet seist du, Jesu Christ BWV 92: Ich hab in Gottes Herz und Sinn BWV 93: Wer nur den lieben Gott lässt walten BWV 94: Was frag ich nach der Welt BWV 95: Christus, der ist mein Leben BWV 96: Herr Christ, der einge Gottessohn BWV 97: In allen meinen Taten BWV 98: Was Gott tut, das ist wohlgetan BWV 99: Was Gott tut, das ist wohlgetan BWV 100: Was Gott tut, das ist wohlgetan Cantatas, BWV 101–110 BWV 101: Nimm von uns, Herr, du treuer Gott BWV 102: Herr, deine Augen sehen nach dem Glauben BWV 103: Ihr werdet weinen und heulen BWV 104: Du Hirte Israel, höre BWV 105: Herr, gehe nicht ins Gericht mit deinem Knecht BWV 106: Gottes Zeit ist die allerbeste Zeit BWV 107: Was willst du dich betrüben BWV 108: Es ist euch gut, daß ich hingehe BWV 109: Ich glaube, lieber Herr BWV 110: Unser Mund sei voll Lachens Cantatas, BWV 111–120 BWV 111: Was mein Gott will, das g'scheh allzeit BWV 112: Der Herr ist mein getreuer Hirt BWV 113: Herr Jesu Christ, du höchstes Gut BWV 114: Ach, lieben Christen, seid getrost BWV 115: Mache dich, mein Geist, bereit BWV 116: Du Friedefürst, Herr Jesu Christ BWV 117: Sei Lob und Ehr dem höchsten Gut BWV 118: O Jesu Christ, mein's Lebens Licht BWV 119: Preise, Jerusalem, den Herren BWV 120: Gott, man lobet dich in der Stille BWV 120a: Herr Gott, Beherrscher aller Dinge BWV 120b: Gott, man lobet dich in der Stille Cantatas, BWV 121–130 BWV 121: Christum wir sollen loben schon BWV 122: Das neugeborne Kindelein BWV 123: Liebster Immanuel, Herzog der Frommen BWV 124: Meinen Jesum lass ich nicht BWV 125: Mit Fried und Freud ich fahr dahin BWV 126: Erhalt uns, Herr, bei deinem Wort BWV 127: Herr Jesu Christ, wahr' Mensch und Gott BWV 128: Auf Christi Himmelfahrt allein BWV 129: Gelobet sei der Herr, mein Gott BWV 130: Herr Gott, dich loben alle wir Cantatas, BWV 131–140 BWV 131: Aus der Tiefe rufe ich, Herr, zu dir BWV 131a: Fugue in G minor BWV 132: Bereitet die Wege, bereitet die Bahn BWV 133: Ich freue mich in dir BWV 134: Ein Herz, das seinen Jesum lebend weiß BWV 134a: Die Zeit, die Tag und Jahre macht BWV 135: Ach Herr, mich armen Sünder BWV 136: Erforsche mich, Gott, und erfahre mein Herz BWV 137: Lobe den Herren, den mächtigen König der Ehren BWV 138: Warum betrübst du dich, mein Herz BWV 139: Wohl dem, der sich auf seinen Gott BWV 140: Wachet auf, ruft uns die Stimme Cantatas, BWV 141–150 BWV 141: Das ist je gewisslich wahr (by Georg Philipp Telemann) BWV 142: Uns ist ein Kind geboren (by Johann Kuhnau? BWV 143: Lobe den Herrn, meine Seele (author uncertain) BWV 144: Nimm, was dein ist, und gehe hin BWV 145: Ich lebe, mein Herze, zu deinem Ergötzen BWV 146: Wir müssen durch viel Trübsal in das Reich Gottes eingehen BWV 147: Herz und Mund und Tat und Leben BWV 147a: Herz und Mund und Tat und Leben BWV 148: Bringet dem Herrn Ehre seines Namens BWV 149: Man singet mit Freuden vom Sieg BWV 150: Nach dir, Herr, verlanget mich Weihnachtsoratorium, BWV 248 (Christmas Oratorio) I. Jauchzet, frohlocket, auf, preiset die Tage II. Und es waren Hirten in derselben Gegend III. Herrscher des Himmels, erhöre das Lallen IV. Fallt mit Danken, fallt mit Loben V. Ehre sei dir, Gott, gesungen VI. Herr, wenn die stolzen Feinde schnauben Oster-Oratorium, BWV 249 (Easter Oratorio) Cantatas, BWV 151–160 BWV 151: Süsser Trost, mein Jesus kömmt BWV 152: Tritt auf die Glaubensbahn BWV 153: Schau, lieber Gott, wie meine Feind BWV 154: Mein liebster Jesus ist verloren BWV 155: Mein Gott, wie lang, ach lange BWV 156: Ich steh mit einem Fuß im Grabe BWV 157: Ich lasse dich nicht, du segnest mich denn! BWV 157a: Ich lasse dich nicht, du segnest mich denn! BWV 158: Der Friede sei mit dir BWV 158a: Der Friede sei mit dir BWV 159: Sehet, wir geh'n hinauf gen Jerusalem BWV 160: Ich weiss, dass mein Erlöser lebt (by Georg Philipp Telemann) Cantatas, BWV 161–170 BWV 161: Komm, du süsse Todesstunde BWV 162: Ach! ich sehe, itzt, da ich zur Hochzeit gehe BWV 163: Nur jedem das Seine BWV 164: Ihr, die ihr euch von Christo nennet BWV 165: O heilges Geist- und Wasserbad BWV 166: Wo gehest du hin BWV 167: Ihr Menschen, rühmet Gottes Liebe BWV 168: Tue Rechnung! Donnerwort BWV 169: Gott soll allein mein Herze haben BWV 170: Vergnügte Ruh, beliebte Seelenlust Cantatas, BWV 171–180 BWV 171: Gott, wie dein Name, so ist auch dein Ruhm BWV 172: Erschallet, ihr Lieder BWV 173: Erhöhtes Fleisch und Blut BWV 173a: Durchlauchtster Leopold BWV 174: Ich liebe den Höchsten von ganzem Gemüte BWV 175: Er rufet seinen Schafen mit Namen BWV 176: Es ist ein trotzig und verzagt Ding BWV 177: Ich ruf zu dir, Herr Jesu Christ BWV 178: Wo Gott der Herr nicht bei uns hält BWV 179: Siehe zu, dass deine Gottesfurcht BWV 180: Schmücke dich, o liebe Seele Cantatas, BWV 181–190 BWV 181: Leichtgesinnte Flattergeister BWV 182: Himmelskönig, sei willkommen BWV 183: Sie werden euch in den Bann tun BWV 184: Erwünschtes Freudenlicht BWV 185: Barmherziges Herze der ewigen Liebe BWV 186: Ärgre dich, o Seele, nicht BWV 186a: Ärgre dich, o Seele, nicht BWV 187: Es wartet alles auf dich BWV 188: Ich habe meine Zuversicht BWV 189: Meine Seele rühmt und preist (by Melchior Hoffmann) BWV 190: Singet dem Herrn ein neues Lied BWV 190a: Singet dem Herrn ein neues Lied Cantatas, BWV 191–200 BWV 191: Gloria in excelsis Deo BWV 192: Nun danket alle Gott BWV 193: Ihr Tore zu Zion BWV 193a: Ihr Häuser des Himmels, ihr scheinenden Lichter BWV 194: Höchsterwünschtes Freudenfest BWV 195: Dem Gerechten muss das Licht BWV 196: Der Herr denket an uns BWV 197: Gott ist unsre Zuversicht BWV 197a: Ehre sei Gott in der Höhe BWV 198: Lass, Fürstin, lass noch einen Strahl (Trauer Ode) BWV 199: Mein Herze schwimmt im Blut BWV 200: Bekennen will ich seinen Namen Cantatas, BWV 201–210 BWV 201: Geschwinde, ihr wirbelnden Winde (The Contest Between Phoebus and Pan) BWV 202: Weichet nur, betrübte Schatten (Wedding Cantata) BWV 203: Amore traditore BWV 204: Ich bin in mir vergnügt BWV 205: Zerreißet, zersprenget, zertrümmert die Gruft BWV 205a: Blast Lärmen, ihr Feinde! verstärket die Macht BWV 206: Schleicht, spielende Wellen BWV 207: Vereinigte Zwietracht der wechselnden Saiten BWV 207a: Auf, schmetternde Töne der muntern Trompeten BWV 208: Was mir behagt, ist nur die muntre Jagd (Hunting Cantata) BWV 208a: Was mir behagt, ist nur die muntre Jagd BWV 209: Non sa che sia dolore BWV 210: O holder Tag, erwünschte Zeit BWV 210a: O angenehme Melodei Cantatas, BWV 211–220 BWV 211: Schweigt stille, plaudert nicht (Coffee Cantata) BWV 212: Mer hahn en neue Oberkeet (Peasant Cantata) BWV 213: Laßt uns sorgen, laßt uns wachen (Hercules auf dem Scheidewege) BWV 214: Tönet, ihr Pauken! Erschallet, Trompeten! BWV 215: Preise dein Glücke, gesegnetes Sachsen BWV 216: Vergnügte Pleissenstadt BWV 216a: Erwählte Pleissenstadt (Apollo et Mercurius) BWV 217: Gedenke, Herr, wie es uns gehet (by Johann Christoph Altnikol? BWV 218: Gott der Hoffnung erfülle euch (by Georg Philipp Telemann) BWV 219: Siehe, es hatüberwunden der Löwe (by Georg Philipp Telemann) BWV 220: Lobt ihn mit Herz und Munde (composer unknown) Cantatas, BWV 221–224 BWV 221: Wer sucht die Pracht, wer wünscht den Glanz (composer unknown} BWV 222: Mein Odem ist schwach (by Johann Ernst Bach) BWV 223: Meine Seele soll Gott loben BWV 224: Reisst euch los, bekränkte Sinnen (by Carl Philipp Emanuel Bach? Trio Sonata in F major, BWV 1040 Sinfonia in D major, BWV 1045 (From a Lost Cantata.

Anyone have a link to a stream of Come and See.

 

1. https://ymihuevo.blogia.com/2020/021501-idi-i-smotri-free-movie-tamil-putlocker9-123movies-without-sign-up.php
2. https://seesaawiki.jp/kuburigo/d/Idi%20i%20smotri%20Watch%20For%20Free%20dual%20audio%20Without%20Registering
3. http://www.uwindsor.ca/alumni/sites/uwindsor.ca.alumni/files/webform/idi-i-smotri-download-streaming-online-hd-1080p-imdb-tt0091251-926.html
4. hikitotan.themedia.jp/posts/7763566
5. http://www.uwindsor.ca/alumni/sites/uwindsor.ca.alumni/files/webform/free-full-id-i-patrz-putlocker9-dual-audio-720px-gomovies-737.html
6. http://www.uwindsor.ca/alumni/sites/uwindsor.ca.alumni/files/webform/idi-i-smotri-watch-full-without-registering-solarmovie-youtube-124.html
7. http://tralopvoiclin.unblog.fr/2020/02/15/mobile-french-subtitle-genres-romance-film-noir-idi-i-smotri-subtitles-german-nederlands-verified-website-188/
8. seesaawiki.jp/kuburigo/d/Torrentsme%20Idi%20i%20smotri%20streaming%2094
9. https://unlugarfeliz.blogia.com/2020/021401-free-watch-idi-i-smotri-no-registration-country-soviet-union-dual-audio.php
10. miblog123aa.blogia.com/2020/021402-idi-i-smotri-watch-stream-without-membership-online-without-signing-up.php

 

Idi i smotri

7.7 stars - iaPfZeXn