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1. Year 2019
2. writers Max Pachman
3. 716 vote
4. Beneath Us is a movie starring Lynn Collins, Rigo Sanchez, and Josue Aguirre. The American Dream becomes a nightmare for a group of undocumented day laborers hired by a wealthy couple. What they expect to be their biggest payday
5. 
6. Star Josue Aguirre

YouTube. 👏👏👏👏😂😂😂😂😂. Premiere Entertainment Group, a Los Angeles-based sales, production and financing company, has acquired the worldwide rights to horror thriller Beneath Us starring Lynn Collins ( John Carter, X-Men Origins: Wolverine) and James Tupper (HBOs “Pretty Little Lies”. The film follows a group of undocumented workers who are hired by an affluent woman (Collins) and her husband (Tupper) to work on their house, but the workers immediately sense something isnt right with their employers and become trapped inside the home. Written and directed by Max Pachman, Premiere will introduce the social thriller to distributors during the American Film Market (AFM) with a screening at the Laemmle Monica Film Center on November 1st. Mark Mavrothalasitis shares writing credit. Producing are Luis Guerrero and Chris Lemos for Vital Pictures ( Armored. Jay Hernandez ( Suicide Squad) serves as executive producer, and William Knochel as co-executive producer. Co-founded Bloody Disgusting in 2001. Producer on Southbound, the V/H/S trilogy, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily.

 

At 1:05 What actress is. SOME SICK FREAK TORTURING KID SOUND LIKE A R KELLY MOVIE. ILL PASS... Marvista does this every time. Why watch the movie when they give away the entire plot in the trailer?Someone needs to fire their marketing department.

I almost forgot to like. Camt wait to watch looks dope. GTA Online: The Movie. (Still glad Han's back tho. My goodness lol this is the Epitome of disaster, I hope the movie flops. When will Hollywood learn nobody likes woke movies, yet another film set to divide everybody watching. They could have made the killer family black and that would have changed everything but instead we have a white people bad movie again. Ugh 🤮.

Trevor, my boy, you never disappoint. Great work man keep it up. I was gonna skip this trailer because who needs another zombie movie. Then I watched it anyway. Looks really good. This song makes me want to explode while looking up in space and listening to this song while I am high on weed with jesus. I err mean this song rocks. Hayden szeto. 😍. Is this any good.

 

This is going to be really creepy. Han and the Tokyo Drift crew. They're the reason why I'm still interested.

A movie about the lives of Hollywood Liberals. It's about time. I always wonder what they do on their free time. Literally just watch the whole movie in 2 minutes🙂. Beneath Us Directed by Max Pachman Produced by Luis Guerrero Chris Lemos Written by Max Pachman Mark Mavrothalasitis Starring Lynn Collins Rigo Sanchez Josue Aguirre James Tupper Roberto Sanchez Thomas Chavira Music by Joshua Moshier Cinematography Jeff Powers Edited by Taylor Alexander Ward Production company Vital Pictures Distributed by Vital Pictures Release date April 11, 2019 (Phoenix Film Festival) March 6, 2020 (United States) Running time 90 minutes Country United States Language English Spanish Beneath Us is a 2019 American horror - thriller film written by Max Pachman and Mark Mavrothalasitis, and directed by Pachman. The film stars Lynn Collins, Rigo Sanchez, Josue Aguirre, James Tupper, Roberto Sanchez, and Thomas Chavira. It will be released theatrically in the United States by Vital Pictures on March 6, 2020. Plot [ edit] A group of undocumented workers hired by a wealthy American couple are held against their will at the couples secluded mansion, and must fight to prove they are not expendable and cant be discarded so easily. [1] 2] Cast [ edit] Lynn Collins as Liz Rhodes Rigo Sanchez as Alejandro Josue Aguirre as Memo James Tupper as Ben Rhodes Roberto Sanchez as Hector Thomas Chavira as Tonio Nicholas Gonzalez as Homero Silva Edy Ganem as Sandra Silva Andrew Burlinson as Richard David Castro as Jesus Production [ edit] Beneath Us is Max Pachman's feature directorial debut, and is produced by Luis Guerrero and Chris Lemos, with Jay Hernandez and William Knochel serving as executive producers. [3] It features English and Spanish dialogue. [1] Guerrero said the film was in the works since 2011. [4] In 2017, it was reported that Premiere Entertainment Group had picked up worldwide rights to the film. [5] Release [ edit] The film premiered at the Phoenix Film Festival on April 11, 2019. [4] The official trailer was released in January 2020. [1] The film is set to be released theatrically in the United States on March 6, 2020, by Vital Pictures/NME, and will be the first film distributed by the company. [3] References [ edit] External links [ edit] Beneath Us on IMDb.

Edit Storyline In BENEATH US, the American Dream becomes a nightmare for a group of undocumented day laborers hired by a wealthy couple (played by Lynn Collins and James Tupper. What they hope to be their biggest payday turns into a terrifying fight for survival at the couple's secluded mansion, and those thought to be helpless must prove they can't be discarded so easily. Plot Summary, Add Synopsis Taglines: The American dream became their deepest nightmare. Details Release Date: 6 March 2020 (USA) See more  » Company Credits Technical Specs See full technical specs  ».

Suspense/Thriller, 1 hr. 30 min. March 6th, 2020, R The American Dream becomes a nightmare for a group of undocumented day laborers hired by a wealthy couple. What they expect to be their biggest payday turns into a terrifying fight for survival. cast Lynn Collins Rigo Sanchez Josue Aguirre James Tupper Roberto 'Sanz' Sanchez. Beneath Us is a socially relevant horror tale that explores racism and the plights of undocumented LatinX workers. Watch the exclusive trailer! ScreenRant has the exclusive trailer for  Beneath Us, a 2020 original social horror story driven by the LatinX community that spotlights the plight of migrant workers as they work to make an honest living under dangerous circumstances. Max Pachman brings the story of a group of undocumented workers to life and allows the audience to experience " the dark side of the American Dream " through their eyes in his directorial debut.  Beneath Us  is produced by a team of LatinX filmmakers including Jay Hernandez ( Hostel, Suicide Squad) Luis Guerrero, Chris Lemos, and William Knochel. The film stars James Tupper ( Big Little Lies, A Million Little Things) Lynn Collins ( X-Men Origins: Wolverine) Rigo Sanchez ( Queen of the South) Roberto 'Sanz' Sanchez ( 2 Fast 2 Furious) Thomas Chavira ( Shameless) Josue Aguirre ( Incarnate. The film is conscious not only of its social message, but strives to give voices to the LatinX community through every aspect of the production. In addition to this, the film is in both Spanish and English, which adds further authenticity to the stories being told. Following in the footsteps of other trail-blazing social horror, such as Jordan Peele 's  Get Out,  Beneath Us strives to explore hate crimes and immigration in modern day America. In the trailer, a group of undocumented workers are hired for renovation projects for an affluent, American couple who seek to take advantage of their cheap labor. From what is depicted, this seems to be part of an insidious plan to eventually bring harm to the laborers, and eventually bury them under their houses.  Beneath Us  aspires to start conversations amongst all cultural and racial groups by bridging the divide and making these types of problems more accessible by putting it front and center. Perhaps the most terrifying aspect of  Beneath Us, from the trailer, is the notion that undocumented workers are, in many ways, considered to be expendable and also occasionally come without the security of familial connections to keep them safe. If they go missing, nobody will miss them, and that's not always something people with privilege think about, as connections and relationships are such an integral part of American citizens' lives. The film sets out to reflect its title in nearly every way possible: literal, social, and emotional. There are undoubtedly mysteries to be solved here, and though the trailer does well to showcase the immediate terror these individuals face, there's surely more than meets the eye. Beneath Us  is slated for U. S. release on March 6th in heavily Latino markets. Next: Eli Roth's Dangerous Inspiration For Hostel Explained Email The Matrix 4 Theory: Neo & Morpheus Have Switched Places In The Reboot About The Author Jack Wilhelmi is the horror features editor at Screen Rant, and has been with the site since 2019. He is a lifelong fan of the horror genre, and loves any excuse to discuss genre-related topics, since none of his friends dare challenge him in horror trivia. He has been published on the independent horror blog Morbidly Beautiful, and has covered major genre film festivals such as Cinepocalypse in Chicago. He has also served as a judge for the Ax Wound Film Festival. In his free time, he is a devoted dog dad to a high-spirited rescue pup named Peter Quill and enjoys volunteering with various animal rescue organizations. Jack likes to travel and explore dark tourism-related and other various haunted locations. He enjoys studying psychology, the paranormal, and will watch literally any schlocky B-movie on the planet for a laugh. Follow him on Twitter @JackMacabre or his dog on Instagram @quillthethrill. More About Jack Wilhelmi.

I feel like there's a new movie coming out every day in 2020.
The main character from Tokyo drift (Sean) is in this. You see him for a split second.
Original title Beneath Us Year 2019 Running time 90 min. Country United States Director Max Pachman Screenwriter Mark Mavrothalasitis, Max Pachman Music Joshua Moshier Cinematography Jeff Powers Cast Lynn Collins, Rigo Sanchez, Josue Aguirre, James Tupper, Roberto 'Sanz' Sanchez, Thomas Chavira, Nicholas Gonzalez, Edy Ganem, Andrew Burlinson Producer Vital Pictures Genre Thriller. Horror, Immigration Synopsis / Plot A group of undocumented workers are lured into a wealthy woman's home with the promise of work, only to discover the terrifying fate she has in store for them. Movie Soulmates' ratings Register so you can access movie recommendations tailored to your movie taste. Friends' ratings Register so you can check out ratings by your friends, family members, and like-minded members of the FA community. Is the synopsis/plot summary missing? Do you want to report a spoiler, error or omission? Please send us a message. If you are not a registered user please send us an email to All copyrighted material (movie posters, DVD covers, stills, trailers) and trademarks belong to their respective producers and/or distributors. For US ratings information please visit.

Looks like it has three people in it, maybe “Alone”, wasnt the best title choice. Much like Jordan Peeles Us, Max Pachmans deliberately provocative debut feature Beneath Us presents the viewer with the subaltern- the dispossessed, those without power or a voice and forces us to question who we identify with. The title functions both literally and metaphorically. Four undocumented immigrants, Hector, Alejandro, Homero and Memo (Roberto Sanchez, Rigo Sanchez, Nicholas Gonzalez and Josue Aguirre) are hired by a rich couple, Liz and Ben Rhodes (Lynn Collins and James Tupper) as construction workers on their palatial home. What seems a comfortable job paid in cash soon turns nightmarish as they are treated like slaves at gunpoint, beaten, humiliated and forced to beg for their lives alongside being imprisoned underground. Then the tables appear to turn. Beneath Us is available on Sky Movies in the UK but has yet, apparently, to find a distributor in the US. Beneath Us is still awaiting distribution in the US, possibly due to its controversial themes. Scripted by Mark Mavrothalasitis, Beneath Us engages with tropes of the slasher or ‘torture porn narratives- the film posits a struggle between the two groups in an escalation of violence that increasingly debases both. The gun is central in these discourses. The notion that the gun is a necessary tool to protect property and liberty is problematised by the fact that others are robbed of the latter when you invite them on to your property to use them for target practice. Allied to this is the geographical proximity of protagonists relative to their social status. When ‘beneath is invoked in horror films, it usually signals the irrepressible energy of the repressed, and the correction of historical misdeeds. The slavery subtext and the economic and legal disparity between the rich white couple and their four slaves is made explicit in the film, with wry references to immigration debates. This includes a scene in which Liz crushes mice in her kitchen with a candlestick, offering a foreshadowing of her attitude to humans on the margins. She quotes statistics on illegal immigration and asks what is known about those who are undocumented. “Can they be trusted? Are they criminals? ” she asks, echoing the language of anti-immigration politics. In a further uncomfortable parallel with contemporary contexts, the workers are forced to strip naked in front of Liz before their torture becomes more physically violent and are further caged on the property by an electric fence. James Tupper as Ben- dealing with those literally ‘beneath him The couples house resembles a Southern plantation, and they make their money as property developers, using slave labour to renovate their portfolio. The obsession with property and décor is established through sensuous shots of the ‘show-home house interiors which seem to have little narrative motivation but coupled with the repetition of the song “my little corner of the world” emphasise the link between land and possession. There are similarities with Brian Yuznas Society (1989) in the manner in which the film positions class and economic disparity as de-humanising and parasitic. Lizs ‘whiteness is emphasised by her costume. Once inside the home she wears a white dress and shoes whilst Ben dresses like he is enjoying a privileged weekend at the Hamptons, underlining the fact that civility can be merely a performance- the line between civilisation and depravity both dangerously thin and contingent upon a questionable justification. Lizs whiteness (Lynn Collins) is visually emphasised Beneath Us makes it clear that the workers are not merely anonymous individuals, working to humanise them as people with their own faults, as well as dreams and aspirations. Alejandro, joined in the film by an unscheduled visit from his brother Memo, is attempting to get enough money to bring his wife and young child over to join him, a transaction negotiated with the owner of a pawn shop. Even this dream is perilous. As Alejandro is told, children cost extra. In turn, he demands they not be “put in a trunk”. The films austere opening conflates the fear and claustrophobia of the films conceit of entrapment with the migrant experience of transition. Heavy breathing and other signs of human disquiet reveal a subterranean space of death and entrapment, which switches between that and an immigrant, ducked down in a car as it travels silently through the darkness (later revealed to be Memo. As spectators, we are invited to share in this experience, and the rest of the narrative continues this perspective. The first part of the film features conversations almost entirely in Spanish. We follow the brothers as they navigate the in-between spaces of the US economy, as they congregate in a parking lot flagging down cars looking for itinerant, menial workers. Beneath Us, palatial property and civics lessons at gunpoint The film even goes as far as linking the fate of the workers to their own actions. They deliberately target Liz and convince her that her services are cheaper than other contractors, before leering at her and discussing her in a sexually aggressive manner in the car ride back to the house, as well as later on at the property. They do this in Spanish, assuming that they do so safely. Language can be a powerful tool. So is the gun, a point underlined by an impromptu English lesson at gunpoint. “You fail English” is the conclusion, powerfully entwining the English language with aggression and coercion in a forceful metaphor for prevailing colonial attitudes. If the satirical undertones are not sufficient to make the point explicit, the film even ends on what sounds like a real right-wing radio host proposing illegal immigrants be used for slave labour in the United States. The dark underside of the American Dream Dehumanisation, immigrants entrapped and humiliated, the dark side of the American dream- Beneath Us strongly resonates with the context in which it was produced. Like Jordan Peeles  US (2019)  it offers a scenario with two alleged opposing arguments and invites the viewer to consider where they position themselves within this continuum. Everyone is seemingly claiming that they are not listened to or dispossessed, but some are clearly more justified in that claim due to their economic status. Do we consider others to be beneath ‘us economically or do we consider the manner in which others are treated to be beneath us? Dr Mark Fryers  specialises in film history and theory as associate lecturer at the University of East Anglia. He has previous publications for Rowman & Littlefield, I. B. Tauris and John Libbey Publishing as well as blogs and articles for numerous websites and other publications. He has forthcoming book chapters on  Jaws  and on British horror television. You can find his essay on  “Remember Me” (2014) and the haunted seascapes of British TV  in  Critical Studies in Television;  he has also contributed essays to  The Spooky Isles  here. He has previously written on the domestically entrapped male in horror film, especially the 2017 film Marrowbone, for Horror Homeroom. For two other excellent horror films that take up immigration politics in the US, you should watch Chris Peckovers Undocumented (2010) and Jonás Cuaróns Desierto (2015) which, as I argue here, sets up the white man as monster. While Beneath Us is as yet unavailable in the US, you can stream Undocumented: And Desierto.

Director: Max Pachman Cast: Lynn Collins, Rigo Sanchez, Josue Aguirre Year: 2018 BENEATH US Undocumented workers are lured into a wealthy womans home with the promise of work, only to discover the terrifying fate she has in store for them.